Internally, the construction has also been tweaked to reduce lightbleed between adjacent buttons, and the relative intensity of the different LEDs has been closely matched as well. With aline input, the impedance switch really only changes the level: with anominal 100 line source, switching from high to medium impedance reduced the input level by 5dB; the low impedance option knocked it back by 20dB. You can unsubscribe from emails at any time. I agree to receive email newsletters and useful tutorials from Audient. Audient's ASP008 eight-channel mic preamp set abenchmark performanceprice ratio, and has remained popular with enthusiastic amateurs and working professionals alike it has been in production for the best part of a decade. The Retro channels also offer separate front-panel instrument inputs, which are routed through a high-impedance JFET buffer into the corresponding mic preamp circuitry. Audient's ASP880 unit is a solid state eight channel microphone preamp and analogue to digital converter, which gives potential buyers a cost effective option for expanding/ bypassing their pre-exisiting interface' s number of inputs, especially desirable if recording input demanding drum or full band set ups, while being easy to operate, and ul. You can unsubscribe from these emails at any time. There are 'better performing' preamps and AD converters on the market, but they really aren't that much better, and they cost a lot more. View our Privacy policy. Less than a year after refreshing their eight-channel preamp design, Audient have released another. Digital outputs from the converters are via dual ADAT ports. I agree to receive email newsletters and useful tutorials from Audient. Audient Limited | EVO Limited | Company registration: 3450730, Cobra Sound Enjoys Significant Upgrade With ASP8024-HE, Can You Record An Orchestra With 4 Mics? We use Audient products in our office and many of our employees are happy Audient customers, so when this opportunity presented itself, it was a natural fit. The technical performance is measurably better across the board, but especially in the AD conversion, and the major signalpath reconfiguration to allow fully balanced inserts will appeal enormously to many potential users. Additionally, the preamps LED light display, with its varying intensity, proves to be as much of an aesthetic consideration as one that is helpful, with the light range indicating signal and peak levels. Afrontpanel button cycles around the four available sample rates, with afifth position selecting the external word-clock option. Low-frequency sources, in particular, really benefit from the Iron stages harmonic enhancement, but there are a lot of other intricate things going on too, including more even-harmonic distortion from the MOSFET gain stages, complex phase shifts and odd-order harmonic distortion through the transformer, transient smearing (due to magnetic hysteresis in the transformers core), and some substantial frequency response shaping (due to inductive resonances in the transformer). Moving to the mic input, minimum gain with the pad engaged provided an output level of 10dBFS for a +24dBu input. I agree to receive email newsletters and useful tutorials from Audient. Acrosscoupled symmetrical balanced line driver, employed here, is capable of amassive +27dBu output level. All this in 1RU! It sounds exactly the same as the ASP880 in clean mode (clean, quiet, accurate, transparent) and has generous headroom margins, but the two Retro channels can get down and dirty when required, in very musical ways. or even blocked browser cookies. The Audient ASP880 is an eight-channel microphone preamp/ADC that delivers transparent, world-class audio - with just a hint of analog coloration that sounds stunning on any project. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. The button flashes if there's no clock present, and illuminates steady green when locked. As well as the usual complement of analogue I/O, the ASP880 features a pair of eightchannel Dsubs, providing a balanced insert loop, postpreamp and preconverter. View our Privacy Policy. If you read last years review of the Audient ASP880 (http://sosm.ag/audientasp880) youre probably wondering why the company are releasing another eight-channel 1U rackmount preamp. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. It also works on your other mics, just more subtly. Gearspace.com LTD - UK Company Number 7597610 (England & Wales). were out of reach. ASP880 - Audient Help Desk These are impressively creative and precisely controllable effects, and embellish an otherwise fairly ordinary multi-channel preamp with extraordinary capabilities. One of the most radical changes from the previous model is the employment of combi XLR sockets for each input, accepting mic signals on the XLR and balanced line inputs on the inner TRS socket. As well as offering you 8 channels of Audient mic pre, ASP880 has two harmonically rich JFET D.I inputs. This new design introduces asmall but deliberate amount of second- and third-harmonic distortion to deliver alittle subtle musical character. up to 96kHz) and the output is always 24bit. Add 8 channels of Audient mic pre via ADAT and transform your current setup into the complete recording rig. The HMX rotary control increases the drive across all three gain stages, simultaneously attenuating the final output level to maintain approximately unity gain overall. With a noise floor 30,000 times quieter than the signal level your recordings will be captured with stunning clarity. Web site designed & maintained by PB Associates & SOS. I've seen some people who basically have it set up in a rack with no space in between. Maintains Audients clean and accurate sound character. The line input is 10dB less sensitive, so the range is from 10dB to +50dB (or 20dB to +40dB with the pad). The channels are more clearly differentiated, thanks to dark grey backgrounds with silver control legends. The ZIP file hosted on this page contains a number of audio examples of sources processed with the HMX and Iron circuits of the Audient ASP880 eight-channel preamp/ADAT expander. This is an excellent multi-channel preamp/converter at an excellent price, and the new Iron emulator works perfectly with the HMX processor, promising great things for future Audient products. Full manual only available as adownload. At base sample rates both ports provide all eight channels but S/MUX4 formatting is applied automatically when operating at double sample rates, with channels 1-4 transmitted by one port and 5-8 via the other. The ASP880 is truly consistent with the high standard pedigree of Audient and Dave Deardens collective 20+ years of output. Audient ASP880 - User review - Gearspace.com In much the same way, the ASP800 can be used stand-alone or as a cost-effective expander for the newer iD14 compact USB bus-powered interface. In musical terms, these distortion components are an octave, an octave plus a fifth, and two octaves above the fundamental the equivalent of pulling the 4, 2-2/3 and 2 drawbars out a bit on a Hammond organ. Check out our privacy policy here Theres also a modest rise in the noise floor of around 10dB in this mode. Analogue line outputs from each preamp are presented on arearpanel DB25 connector, wired to the AES59/Tascam standard. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Reference ID: #7e022dfe-0967-11ee-b66b-576452745856. In the manual they recommend 1RU space above the unit in a rack. Although the digital card is included as standard, the DB9 breakout cable required to access the AES3 and S/PDIF signals is not. This flexible arrangement allows external processors to be inserted between the preamp and converter, or external devices to be routed directly to the AD section. The ASP800 is a lower-cost alternative to the ASP880, and although the overall facilities have been sensibly scaled back, this is offset nicely with the addition of the excellent Iron and HMX coloration tools in the two feature channels. Catch up on all the latest music gear reviewshere. Audient ASP880 - Sound On Sound Dave Deardens celebrated mic preamp design has been with us for over 18 years now, and combines a sophisticated, transformerless, discrete eight-transistor class-A front-end driving an op amp gain stage which also provides the differential to single-ended conversion. While the technical performance doesnt quite match the ASP880 in a few areas, its only a smidgen off and is unnoticeable in practice, while the additional mic gain and better control linearity will be noticed and appreciated. As is typical of preamps with continuous gain controls, the gain tends to get bunched up towards the clockwise end of the control. However, in practice Ihad no problem setting high gains precisely, and the revised internal gain structure minimises the problem quite well. The A-D converter's operating level can be switched between the EBU standard of 0dBFS = +18dBu and a lower +12dBu peak level. The first two channels each feature two sonic coloration options, HMX (a tube-emulation circuit) and Iron, which imparts transformer saturation. Theres no mains on/off switch on either the front or rear panels. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. This clever circuit block uses two more high-voltage MOSFET gain stages as the driver and receiver around a miniature 600:600 Ohm transformer. Apparently this reengineering of Dave Dearden's classic preamp design had its first outing in Audient's iD22 interface, and optimising the new SMD construction involved considerable time and care. Variable Impedance enables you to match the impedance of the mic pre to your favourite ribbon mic, letting you retain the punch and frequency response the mic was born with. Review: Audient ASP880 - Mixdown Magazine Whereas the latters SMPS provided 18V rails for the audio circuitry (as well as +48V for phantom power and +5V for the digital electronics), the ASP800s linear supply uses 15V rails for the audio stages (hence slightly less headroom), +48V for phantom, 9V for the digital board, and +32V for the HMX and Iron saturation circuitry.
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